Italy on Screen

Selected papers presented at the Italy on Screen Conference, held at the Institute of Germanic and Romance Studies, University of London, in 2007.

This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the

European stardom is very different from that of Hollywood, where the industry concentrates intensively on establishing and promoting major stars. This unique book sets out to highlight the career of Sophia Loren as a prime example of a highly original rise to fame in a European context. Pauline Small emphasizes

A critical engagement with cinema in Italy, this book examines the national archive of film based on sound and listening using a holistic audio-visual approach. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical

Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: