In interpreting contemporary Asian American poetry, it is important to understand the cultural hybridity of Asian America identity, located at the interstices of the fixed identifications 'American', 'Asian American', and 'Asian'. This rootedness in more than one culture exposes the inapplicability of binary concepts (foreigner/national, etc.). Hybridity, opposing essentialism and 'the original', favors multivocality and ambivalence. The exploration of Asian American cultural hybridity is linked both to material realities and poetic manifestations.Asian American hybrid subjectivity is explored through in-depth interpretations of works from well-established contemporary poets such as Kimiko Hahn, Marilyn Chin, Li-Young Lee, and Arthur Sze, as well as that of many new talents and hitherto neglected writers.This study examines how language and power interrelate, with translation and linguistic fusion being two approaches adopted by hybrid authors in their creation of alternative discourse. Culturally hybrid subjectivity is independent of and at the same time interconnected with more than one culture, thus enabling innovative political and identitarian positions to be articulated. Also examined are such traditional poetic forms as the zuihitsu, the sonnet, and the ghazal, which continue to be used, though in modernized and often subversive guise. The formal liminal space is revealed as a source of newness and invention deconstructing eurocentric hierarchy and national myth in American society and expanding or undercutting binary constructs of racial, national, and ethnic identities.A further question pursued is whether there are particular aesthetic modes and concepts that unite contemporary Asian American poetry when the allegiances of the practitioners are so disparate (ultimate geocultural provenience, poetic schools, regions in the USA, generations, sexual orientation, etc.). Wide-ranging interviews with Kimiko Hahn and Chitra Banerjee Divakaruni on identity and roots, language and power, feminism, and the American poetry scene provide illuminating personal yet representative answers to this and other questions.
In interpreting contemporary Asian American poetry, it is important to understand the cultural hybridity of Asian America identity, located at the interstices of the fixed identifications 'American', 'Asian American', and 'Asian'. This rootedness in more than one culture exposes the inapplicability of binary concepts (foreigner/national, etc.). Hybridity, opposing essentialism and
Type: BOOK - Published: 2011-08-22 - Publisher: iUniverse
The author wrote his memoirs, So Far . . . So Good . . . The Other Lowell Thomas Story in 2000 and had them published. This book is a sequel to that one. It is not intended to be marketed. However, should anyone care to purchase a copy, the
Type: BOOK - Published: 2010-03-11 - Publisher: Author House
This book is a collection of my all-time favorite stories from working with patients as a medical professional over the past seventeen years. I have witnessed and been a part of some amazing experiences ranging from hilarious to shocking to just plain disgusting. I've told these stories many times at
Type: BOOK - Published: 2020-11-25 - Publisher: FriesenPress
In So There’s a Sibling, a mother explains to her young child that a new baby is on the way, touching on the worries and excitement of growing a family. What if you cry? What if you fight? How will we handle being up through the night? With all these
Type: BOOK - Published: 2012-01-05 - Publisher: Lulu Press, Inc
This collection holds four of the Drag Shergi Mysteries: Ghosts in Smoky Visions, The Shriver of Cheney Town, The Man in the Petticoat, and To Beat or Not to Beat. Each holds a mystery with a supernatural twist. Drag Shergi is a private detective who sees things in an unusual