This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1890 to December 31, 1899. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.
Type: BOOK - Published: 2013-11-21 - Publisher: Scarecrow Press
This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1890 to December 31, 1899. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews,
Type: BOOK - Published: 2014-10-30 - Publisher: Rowman & Littlefield
This volume combines all the individual indexes—title, genre, theatre, and general—found in the seven volumes of The London Stage: A Calendar of Productions, Performers, and Personnel (2nd edition) covering the years 1890 through 1959.
These highly praised day-by-day calendars of plays produced at the major London theatres cover all the big productions and names, revivals of the classics, and opera and ballet productions. J. P. Wearing lists each production in chronological arrangement of playbills, with full production and contemporary review information for each play
Type: BOOK - Published: 2004-03-09 - Publisher: Springer
This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as
Anhand einer Reihe von Fallstudien setzt der Band ein erweitertes Konzept von Rezeptionsgeschichte in die Praxis um. Nach diesem Konzept umfaßt die Erforschung der Rezeptionsgeschichte die buchhandelsgeschichtlichen Grundlagen, die Übersetzungen und Bearbeitungen, die Aufnahme auf der Bühne und die literarische Kritik ebenso wie die verschiedenen Formen der produktiven Rezeption. Die