The Song of the Lark

Conflating her own childhood experiences with those of a celebrated Wagnerian soprano of her day, Willa Cather here introduces Thea Kronborg, a Scandinavian-American singer who rises from a one-story town in Colorado to the Metropolitan Opera House. Along the way she learns her own capacity for the rigorous demands of

Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg. In creating Thea’s character, Cather was inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad, although Thea’s early life also has much in common with Cather’s own. Set from 1885

Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with

In recent years, American art scholars have increasingly focused on the importance of cross-cultural exchanges during the nineteenth century. As essayist François Brunet puts it, mid-nineteenth century landscapes were “transnational . . . permeated by complex transactions where ‘American’ originality produced itself not only in imitation of or reaction against

Books about Literature and the Economics of Liberty: Spontaneous Order in Culture