Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
Type: BOOK - Published: 2012-10-01 - Publisher: U of Nebraska Press
Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg. In creating Thea’s character, Cather was inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad, although Thea’s early life also has much in common with Cather’s own. Set from 1885
Type: BOOK - Published: 2015-09-15 - Publisher: Gale, Cengage Learning
A Study Guide for Willa Cather's "The Song of the Lark," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of
Type: BOOK - Published: 2018-12-13 - Publisher: Bloomsbury Publishing
Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with
Type: BOOK - Published: 2014-03-17 - Publisher: Cambridge Scholars Publishing
In recent years, American art scholars have increasingly focused on the importance of cross-cultural exchanges during the nineteenth century. As essayist François Brunet puts it, mid-nineteenth century landscapes were “transnational . . . permeated by complex transactions where ‘American’ originality produced itself not only in imitation of or reaction against